Most of the soundtrack for a collection Doom Eternal brought without the participation of the composer Mika Gordon (Mick Gordon). Fans suggested that the composer had a fight with Bethesda. Now we have an official version of what happened.
Executive producer ID Software Marty Strutton (Marty Stratton) published an extensive explanation of the situation on Reddit. If briefly, then Gordon regularly broke the deadlines and remained dissatisfied with the result, despite his guilt. Now let’s plunge into history in more detail.
In January of this year Gordon And ID/Bethesda concluded a contract for the provision of the soundtrack by the beginning of March, so that the music fell into the collector on time. The terms of the agreement were similar to this from the agreement on Doom 2016- Gordon should reduce at least 12 tracks.
February 24 Gordon said that the work was much more than expected. He apologized and asked for another four weeks, and in return offered to record up to 30 tracks for more than two hours, including all the music from the game, converted into a full -fledged soundtrack format.
Small retreat-recall: the music in the game itself is divided into many short excerpts-layers that are superimposed on each other and change dynamically. Therefore, in order to turn it into finished compositions, you need additional work in information.
The musician was given even more time https://casino-mrq.co.uk/mobile-app/ – almost six weeks. The new deadline was mid -April. It was important to release a collection publication with music, since in some countries buyers can return the money for pre -order if the filling of the goods does not correspond to the declared.
In April, the company was worried that the composer would again break the deadlines. Straton Personally asked the leading audio designer ID Cheed MossHolder (Chad Mossholder) Start work on your own version of the soundtrack – in case Gordon still does not have time.
The problem is that MossHolder There was no access to the source materials Gordon, on the basis of which the latter reduced excerpts-layers for the game itself. That’s why MossHolder I had to work with already compressed fragments, which in the end led to a cut out dynamic range.
Straton And MossHolder let them know about it Gordon, to which he suggested combining his compositions and compositions MossHolder. Later Gordon warned what could be delayed again. ID I asked him to send tracks as it was ready to at least release them later as a bonus.
Of the first nine compositions Gordon Only one was executed in the genre of heavy metal, and the rest were an emphanty – this is clearly not what fans from the soundtrack are waiting for Doom Eternal. Straton I decided this: MossHolder He will record the music in chronological order, and then the part will be replaced with compositions Gordon, When he will send them.
So why Gordon so unflattering spoke about someone else’s work, which he had to do by himself? As suggested Straton, There are several reasons:
Gordon I was surprised that 59 compositions entered the soundtrack, although the original agreement was different. At the same time MossHolder Send Gordon final tracksuit for a week before the release.
It seemed to the composer that some materials on the basis of which MossHolder recorded his tracks, were raw versions for preliminary demonstrations. Nevertheless MossHolder used only the music that was in the game or kinematographic rollers.
Gordon I did not like the information in some tracks MossHolder. As notes Straton, This could become a decisive factor for stopping cooperation.
Gordon was concerned that MossHolder Allegedly attributed the co -authorship of the soundtrack. True, in fact Gordon indicated as the only composer and performer, MossHolder is indicated only as an additional musician. The company makes it clear who was responsible for the reduction of specific tracks.
In conclusion Straton stated that the first addition to Doom Eternal, which is already in development, will do without music Gordon. Judging by the wording, in the future developers can still resume cooperation with the composer – of course, if they come to a mutual agreement.
